Cleveland Street Gap 2006
with Helen Hill
16mm and digital video, 3 min.
watch excerpt
Mid-City, New Orleans - the bottom of the bowl. A filmmaker restores what she can of her soggy home movies, which sat in floodwater for three weeks. Another filmmaker shoots the same compositions in the same neighborhood, now abandoned, 10 months after the flood. Edited together they provide a testament to the slow nature of New Orleans’s recovery and its missing populace.
Bryan Konefsky Presents: Experiments in Cinema 2007, Southwest Film Center, Albuquerque, New Mexico
New Orleans International Human Rights Film Festival, 2007
“Therefore I Live,” screening curated by Andy Ditzler, Eyedrum, Atlanta, GA, 2006
“Below Sea Level Stories,” shorts program, 2006
Zeitgiest Multidisciplinary Arts Center’s 20 Anniversary Screening, 2006.
Upcoming Screenings:
Hallwalls Alternative Arts Center, Buffalo NY
Orphan Film Symposium, NY, NY
Big Shtick 2004
digital video, 3 min.
watch excerpt
Popular culture images appropriated from American film and tv make the case that “the stick is the shtick” in this bit of overboard editing.
Bryan Konefsky Presents: Experiments in Cinema 2006, Southwest Film Center, Albuquerque, New Mexico
2005 MadCat Womens International Film Festival
The 2005 Ann Arbor Film Festival
The 2005 New York Underground Film Festival
The Waiting Room Gallery, solo show installation “Cineplasty,” New Orleans, 2003
Mummy's Dance 2004
digital video, 3.5 min.
Watch excerpt
A mummy, wrapped up in the trappings of modern living and popular culture, finds itself stuck. Its features and reactions are not visible, but neither are they important. The mummy is an embodiment of an obsession with body image, in constant flux, wishing to live forever, embalmed in youth.
The 2005 Ann Arbor Film Festival, “The She-Gaze” program
“Boxers, Briefs or Panties,” two person show, Salon de Beau Monde, New Orleans, 2004
The Chaos Hags 2003
digital video, 8 min.
Watch excerpt
The Chaos Hags cackle, shriek, giggle, cry, and sigh—they call forth with fury the female stereotype, pushed to an extreme and exaggerated.
Body parts from film and television actresses are “sampled” and composited into Frankenstein's monster-like creatures that perform a variety of actions, all generally futile, yet cathartic.
These experimental digital animations are visual metaphors for psychological states of mind, body sensations and memories.
The New Orleans Film Festival, 2004
Reel Venus Film Festival, 2004
Nemo Festival, Paris, France, 2004
Ann Arbor Film Festival, Winner Isabella Liddell Award, 2004
Kasseler Dokumentarfilm Und Videofest, installation in Monitoring, Kassel, Germany, 2003
Rencontres Internationales Paris-Berlin, Berlin, 2003
25 Hrs International Video Art Show, Barcelona, Spain, 2003
The Museum of Contemporary Art and Design, Costa Rica, 2002
Film Kitchen, Pittsburgh Filmmakers, 2002
Cincinnati Women’s Film Festival, 2002
Art in General’s Video Marathon, 2002
backup_festival, 2001
The Contemporary Arts Center’s Louisiana Open, New Orleans, LA, 2001
Microcinema’s Independent Exposure traveling program 2001-02
MadCat Women's International Film and Video Festival, 2000